Hollywood & Bollywood (Header): July 2016

Monday, July 11, 2016

Box office: 'Sultan' rakes in Rs. 180 crore in five days

Tuesday, July 12, 2016 13:00 IST

Salman Khan-starrer Sultan mints Rs 180.36 crore in five days; poised to shatter lifetime figures of his last two blockbusters

He has done it in the past and he's at it again. Salman Khan is changing the mathematics at the box office with his new release, 'Sultan'. The wrestling drama co-starring Anushka Sharma, which hit screens on the eve of Eid, ended its first weekend figures at Rs 180.36 crore.

So far, this is his best opener and tenth film since 'Dabangg' (2010) to hit the Rs 100-crore jackpot, not to mention, the biggest hit of 2016.

In the overseas market, the Ali Abbas Zafar film has also done phenomenal business with a major chunk of revenue coming in from the Gulf countries. A mid-week release worked to Sultan's advantage, helping it maintain an average daily business of nearly Rs 36 crore although it could not break the opening day collection record of Rs 44.97 crore held by Shah Rukh Khan's 'Happy New Year' (2014).

Trade experts expected the film to make Rs 150-160 crore by Sunday, but the audience response has taken them by surprise. "To say Sultan has proved to be a box office juggernaut will be an understatement. The film should comfortably reach the Rs 200-crore mark by the end of its sixth day (Monday), thereby, becoming the fastest money-spinner in the history of Bollywood. It has done exceptionally well overseas too. One has to see if it can touch Rs 350 crore and become the biggest blockbuster of all time," says trade guru Amod Mehra.

Trade pundit Taran Adarsh says Salman has raised the bar for Hindi film business and surpassed the lifetime business of several BO biggies in just five days. "Even if you took Sultan's three-day collections into account (Rs 105.34 crore), you will see it has beaten the collections of his last two releases - 'Bajrangi Bhaijaan' (Rs 102.60 crore) and 'Prem Ratan Dhan Payo' (Rs 101.47 crore) - over the same time period. 'Sultan' is, clearly, smashing records, and seems set to cross Rs 200 crore. However, now one has to wait and watch if it can cruise past Bajrangi's lifetime numbers and emerge as Salman's biggest hit," he adds.

Salman's top grossers

'Bajrangi Bhaijaan' (2015) - Rs 320.48 cr
'Kick' (2014) - Rs 233.8 cr
'Prem Ratan Dhan Payo' (2015) - Rs 207.40 cr
'Ek Tha Tiger' (2012) - Rs 198 cr
'Dabangg 2' (2012) - Rs 158.4 cr
'Bodyguard' (2011) - Rs 142 cr
'Dabangg' (2010) - Rs 138.88 cr
'Ready' (2011) - Rs 120 cr

Bollywood's all time biggest

'pk' (2014) - Rs 340.6 cr
'Bajrangi Bhaijaan' (2015) - Rs 320.48 cr
'Dhoom 3' (2013) - Rs 286.03 cr
'Krrish 3' (2013) - Rs 244.3 cr
'Kick' (2014) - Rs 233.8 cr
'Chennai Express' (2013) - Rs 227.21 cr

(All figures collected from production and distribution sources)

Varun Wish to be fit like Akshay

Monday, July 11, 2016 17:00 IST

At a time when actors are giving maximum attention to fitness, Varun Dhawan says he idolises superstar Akshay Kumar.

"I think there was a phase of six and eight pack abs but now it is back to a phase where health is important. Look at Akshay Kumar, he has been fit for so many years despite injuries," Varun told reporters here at an event of his upcoming film "Dishoom".

Varun says he wishes to be as fit as Akshay when he grows old.

"Akshay has tremendous fitness level. I wish when I grow that old if I can be that fit then it will be great." His "Dishoom" co-star John Abraham was also present at the event, where the duo shared some fitness tips.

"One should dedicate at least an hour to fitness, be it Yoga or anything else. Working out shouldn't tire you, it should rejuvenate you. One needs to be fit and flexible," he said.

The 29-year-old actor said his director father David Dhawan wasn't too much into fitness but things seem to be changing now.

"The most difficult person to get to the gym is my dad. He just doesn't listen to anybody. When I started threatening him about if he wants to see his grand children or not (that) is when he started going to gym. He goes for walk and it is good thing," he added.

"I don't have a strict diet as my metabolism is too high. Pizza and brownie with ice-cream is my weakness."

He also revealed actress Parineeti Chopra has a special number in 'Dishoom'.

"The song will be out on July 12. One tip I received from John was to have honey. Once she (Parineeti) was feeling weak and I gave her honey," Varun said when asked about giving fitness tips to Parineeti.

Directed by Rohit Dhawan, 'Dishoom' opens in cinema houses on July 29.

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I am not dating Alia Bhatt: Varun Dhawan clarifies once and for all

In an interview with the tabloid Mumbai Mirror, Varun Dhawan has unleashed a bombshell by declaring he’ll never date an actress.

But wasn’t he recently linked with his SOTY co-star Alia Bhatt?

“I am not dating Alia,” Varun makes it clear.

And what about the Aashiqui 2 girl Shraddha Kapoor. Isn’t something brewing between Shraddha and him?

“If I say 'We are good friends', it will be misconstrued as 'Boyfriend Girlfriend',” says Varun.

Varun adds that he was amused to hear the rumour of his link-up with Bipasha Basu who is eight years his senior.

“She is quite senior to me. We spoke about the rumour and she said, 'Welcome to the film industry'.”

The youngster is presently busy with dad David Dhawan’s film Main Tera Hero and says, “I shall never date an actress.”

due courtesy to apunkachoice.com

Classical Hollywood cinema

Classical Hollywood cinema or the classical Hollywood narrative,[1] are terms used in film history which designate both a visual and sound style for making motion pictures and a mode of production used in the American film industry between 1927 and 1963. This period is often referred to as the "golden age of Hollywood." An identifiable cinematic form emerged during this period called classical Hollywood style.[2]

Classical style is fundamentally built on the principle of continuity editing or "invisible" style. That is, the camera and the sound recording should never call attention to themselves (as they might in films from earlier periods, other countries or in a modernist or postmodernistwork).

The golden age[edit]

During the golden age of Hollywood, which lasted from the end of the silent era in American cinema in the late 1920s to the early 1960s, films were prolifically issued by the Hollywood studios.[3] The start of the golden age was arguably when The Jazz Singer was released in 1927 and increased box-office profits for films as sound was introduced to feature films. Most Hollywood pictures adhered closely to a genre—Western, slapstick comedy, musical, animated cartoon, biopic (biographical picture)—and the same creative teams often worked on films made by the same studio. For instance, Cedric Gibbons and Herbert Stothart always worked on MGM films, Alfred Newman worked at Twentieth Century Fox for twenty years, Cecil B. DeMille's films were almost all made at Paramount, director Henry King's films were mostly made for Twentieth-Century Fox, etc.

After The Jazz Singer was released in 1927, Warner Brothers gained huge success and was able to acquire its own string of movie theatres, after purchasing Stanley Theatres and First National Productions in 1928; MGM had also owned a string of theatres since forming in 1924, known as Loews Theatres, and the Fox film Corporation owned the Fox Theatrestrings as well. Also, RKO, another company that owned theatres, had formed in 1928 from a merger between Keith-Orpheum Theaters and the Radio Corporation of America[3].

RKO formed in response to the monopoly Western Electric's ERPI had over sound in films as well, and began to use sound in films through their own method known as Photophone [5]. Paramount, who already acquired Balaban and Katz in 1926, would answer to the success of Warner Bros. and RKO, and buy a number of theaters in the late 1920s as well, before making their final purchase in 1929, through acquiring all the individual theaters belonging to the Cooperative Box Office, located in Detroit, and dominate the Detroit theaters.[4]

However, filmmaking was still a business and motion picture companies made money by operating under the studio system. The major studios kept thousands of people on salary—actors, producers, directors, writers, stunt men, craftspersons and technicians. And they owned hundreds of theaters in cities and towns across America, theaters that showed their films and that were always in need of fresh material. In 1930, MPDDA President Will Hays also founded the Hays (Production) Code, which followed censorship guidelines and went into effect after government threats of censorship expanded by 1930. [6] However the code was never enforced until 1934, after the new Catholic Church organization TheLegion of Decency—appalled by Mae West's very successful sexual appearances in She Done Him Wrong and I'm No Angel [7]—threatened a boycott of motion pictures if it did not go into effect [8], and those that didn't obtain a seal of approval from the Production Code Administration had to pay a $25,000 fine and could not profit in the theaters, as the MPDDA owned every theater in the country through the Big Five studios [9].

Throughout the early 1930s, risque films and salacious advertising, became widespread in the short period known as Pre-Code Hollywood. MGM dominated the industry and had the top stars in Hollywood, and was also credited for creating the Hollywood star system altogether[10]. MGM stars included at various times "King of Hollywood" Clark Gable, Joan Fontaine, Norma Shearer, Greta Garbo, Joan Crawford, Jean Harlow, William Powell, Myrna Loy, Gary Cooper, Mary Pickford, Henry Fonda, Marilyn Monroe, Elizabeth Taylor, Judy Garland, Ava Gardner, James Stewart, Doris Day, Frank Sinatra, Katharine Hepburn, Spencer Tracy, Vivien Leigh, Grace Kelly, Gene Kelly, Gloria Stuart, Fred Astaire, Ginger Rogers, John Wayne, Barbara Stanwyck, John Barrymore, Audrey Hepburn and Buster Keaton [11]. Another great achievement of American cinema during this era came throughWalt Disney's animation. In 1937, Disney created the most successful film of its time, Snow White and the Seven Dwarfs [12].

Many film historians have remarked upon the many great works of cinema that emerged from this period of highly regimented film-making. One reason this was possible is that, with so many films being made, not every one had to be a big hit. A studio could gamble on a medium-budget feature with a good script and relatively unknown actors: Citizen Kane, directed by Orson Welles and often regarded as the greatest film of all time, fits that description. In other cases, strong-willed directors like Howard Hawks, Alfred Hitchcock andFrank Capra battled the studios in order to achieve their artistic visions. The apogee of the studio system may have been the year 1939, which saw the release of such classics asThe Wizard of Oz, Gone with the Wind, Stagecoach, Mr. Smith Goes to Washington, Destry Rides Again,Young Mr. Lincoln, Wuthering Heights, Only Angels Have Wings,Ninotchka, Babes in Arms, Gunga Din, and The Roaring Twenties. Among the other films from the golden age period that are now considered to be classics: Casablanca, The Adventures of Robin Hood, It's a Wonderful Life, It Happened One Night, King Kong, Citizen Kane, Swing Time, Some Like It Hot, A Night at the Opera, All About Eve, Mildred Pierce, The Searchers, Breakfast At Tiffany's, North by Northwest, Dinner at Eight, Rebel Without a Cause, Rear Window, Double Indemnity, Mutiny on the Bounty, City Lights,Red River, The Manchurian Candidate, Bringing Up Baby, Singin' in the Rain, To Have and Have Not, Goodbye, Mr. Chips, Roman Holiday, Giant and Jezebel.

"Well, it's not the men in your life that counts, it's the life in your men."

Monday, July 11, 2016

Box office: 'Sultan' rakes in Rs. 180 crore in five days

Varun Wish to be fit like Akshay

ZZ WARD